Your eyes and hands in India · Est. 2019 · Replies within one working day

How to protect your jewellery designs from being copied in India

Full protection is not realistic in a market where designs move fast. Register the designs that matter, sign NDAs, own your moulds, split work where you can and keep evidence of when you created each design.

· 5 min read · Creston & Co

You cannot stop copying completely. Imitation jewellery is a fast, crowded market and successful designs are often copied within a season. What you can do is make copying harder, make it costlier, and give yourself a legal route for your most valuable designs.

A practical approach combines contracts, registration, control of tooling and a careful choice of who sees what.

Contracts first

Ask every maker to sign a non-disclosure and non-use agreement before you share drawings or samples. It should say the design belongs to you, that the maker will not sell it or close variants to anyone else, and that moulds, dies and masters made for you are your property.

Enforcing a contract in an Indian court is slow, so the main value of the agreement is deterrence and clarity. A maker who knows you will check, and who wants your repeat orders, has a reason to respect it.

Registering a design in India

The Designs Act, 2000 lets you register the shape, pattern or ornamentation of an article with the Indian Patent Office. Registration lasts ten years and can be extended once for five more, fifteen years in total. The design must be new, so file before you show it publicly, including online.

Unregistered designs get weak protection in India. Copyright in a design that could have been registered ends once more than fifty articles have been made from it industrially, so registration matters for designs you plan to produce in volume.

Register in your own selling markets too. The EU, UK and US have their own design rights, and those are what you would use against copies sold in your market.

Practical controls

  • Own the moulds and masters, and ask for them back or for them to be destroyed when you end the relationship.
  • Split work where it is sensible, for example casting with one unit and stone setting or plating with another, so no one holds the full design.
  • Share only what is needed. Send drawings for the part a workshop is making, not your whole collection.
  • Keep dated records of sketches, CAD files and approved samples, so you can prove you created a design first.
  • Mark your pieces with a small logo or stamp where the design allows. It makes copies easier to identify.

What this means for a buyer

Register and guard the few designs that carry your brand, and accept that fast fashion pieces will be copied. Speed of launching new designs is often a better defence than legal action.

Creston & Co works for buyers only, for a fixed fee agreed in writing. We place your designs with Rajkot makers under signed confidentiality terms, track who holds your moulds and supervise production and packing. Ask for a free sourcing review.

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